jip's corner of creation



jip's clickable corner of creation

another color pencil drawing # what is this ?

jip's (clickable) corner of creation



Index
The first steps of creation
Choosing your colors
Smooth colored layer
Moulding the shapes
Adding shades
The finnishing touch
Alien SeaWeed
Materials used
#    links marked with an # direct to pages with only pictures.

The first steps of creation

To make a color pencil drawing I first draw all the lines. This way it doesn't mather if I blur the lines a little if my hands touch the paper.

I set up the lines in two stages. First I globaly scetch the shapes. When alle the shapes have formed I clear the paper in such a way that I can barely see the lines. Now I draw the definete lines # with a very sharp pencil.

Choosing your colors

After that I can start adding the colors. By looking at the the diffrent shapes and their position I imagine which colors I should use.

Most of the time I already get an idea of which color would look nice on specific shapes, when I am drawing the lines. Agressive shapes will get agressive colors, and soft shapes get soft colors. But there are also more neutral shapes. I can use these shapes to restore the balance of the layout.

Like with the lines, I set up the colors in two stages. I start with adding the firste layer of the color # I've chosen, to each shape. This layer must be as smooth as possible.

Smooth colored layer

To create a very smooth colored area you have to keep pushing the pencil to the paper with the same force. This is easier to do when you keep the pencil sharp at all times. To prevent the pencilpoint from getting blunt you can rotate te pencil gently while coloring.

To create this smooth colored area, you also have to limmit your pencilmoves to only one direction per layer. If you put a few of these colorlayers on top of eachother, you cann't distinguish the different lines of the pencil anymore. I usualy put tree colorlayers on top of eachother, which direction differ by 30 degrees.

Moulding the shapes

Now every shape in the drawing has its own color, but everything still looks flat. By adding more color you can mould the shapes #. By starting with the background you don't have to worrie that your shapes become blury when your hand touches the paper. It might even add more depth of the background looks a bit blury.

Because this is the final layer of color there is little room for error. You have to be carefull that your creation evolves in the direction you want it to go. This stage of the creation process takes most of the time, but it will transform flat figures into a moving 3d world. You have to be carefull that you don't damage the paper by using a color pencil on the same place too much. It works better to use less color from a darker colored pencil then much color from a lighter one. But if you do damage the paper you can camouflage it using a black pencil.

Adding shades

The only thing missing is the shades # that the figures project on eachother. Whitout these shades the figures look like they are all glowing themselves. When you include shades you give the illusion of a lightsource. The also shades give an impression of how big objects are and how far away they are from eachother. The lightsource can be anywhere. It can be somewhere in your drawing or somewhere far away outside our drawing. And ofcourse you can use more then one lightsource. Playing with shades and light can give your drawing a completely different atmosphere.

In this drawing I created the illusion of an external lightsource. The shades aren't completely correct, this gives a less static impression. Your free to bend the laws of physics in your drawing as much as you like. To make the shades I used a black pencili to darken the colors. This way the shades can be put on top of the colored layers, so you don't have to decide where you want to put them untill after you've moulded the shapes.

The finnishing touch

I wanted to give this drawing a deep black background, so I added a finnisching touch of black paint #. The black waterpaint I use gives one of the deepest black colors because of its chemical composition. Most other paints become shiny, but this waterpaint stays dull.

The deep black color creates a huge contrast between the background and the figures. This makes the figures almost jump off the paper. If you are afraid that you are not able to stay between the lines it can help to draw the lines again with a hard black pencil. This creates a little dent in the paper, so your margin of error becomes slightly greater.

Alien SeaWeed

Below here you can see the result # of the creation process. I've called it "Alien SeaWeed". The forms in this drawing have no symbolic meaning. They just happened to form on my paper when I was drawing.

Alien SeaWeed

Materials used

paper: fine stucture, 120 gram/meter²
size: A3 (42 x 29,7 centimeter)
a black pencil (type HB)
50 color pencils
a pencil sharpener !
a good pencil wiper
black water paint


drawing
jip's page


jip December 2001